"Rinaldo, HWV 7: Rinaldo, HWV 7, Act II: Aria: Lascia ch'io pianga" by Arleen Auger was released on January 1, 2000. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 38 in Auger, Arleen: Arias by Arleen Auger. The popularity of Rinaldo, HWV 7: Rinaldo, HWV 7, Act II: Aria: Lascia ch'io pianga is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rinaldo, HWV 7: Rinaldo, HWV 7, Act II: Aria: Lascia ch'io pianga by Arleen Auger is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paulus: I. Teil: Nr. 19 Aria mit Chor B "Ich danke dir, Herr, mein Gott" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, Philippe Herreweghe, La Chapelle Royale | G Major | 2 | 9B | 73 BPM | ||
Orlando, HWV 31 / Act 1: Consolati o bella | George Frideric Handel, Arleen Auger, Emma Kirkby, Catherine Robbin, Academy of Ancient Music, Christopher Hogwood | C Minor | 0 | 5A | 77 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: IX. Suscepit Israel (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | G Minor | 0 | 6A | 112 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Arleen Auger, Benjamin Luxon, John Butt, Choir of King's College, Cambridge, English Chamber Orchestra, Philip Ledger | D Minor | 1 | 7A | 137 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM |
Section: 0.6970877647399902
End: 0.7041380405426025