On August 30, 1996, the song "Capriol Suite: Tordion" was released by Peter Warlock, Ross Pople. With Capriol Suite: Tordion being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Warlock: Capriol Suite/The Curlew/6 Italian Dances/6 English Tunes by Peter Warlock, Ross Pople. The song's track number on the album is #3 out of 20 tracks. The popularity of Capriol Suite: Tordion is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Capriol Suite: Tordion by Peter Warlock, Ross Pople has a tempo of 221 beats per a minute, the tempo markings of this song would be Prestissimo (even faster than presto). With Capriol Suite: Tordion being at 221 BPM, the half-time would be 110 BPM with a double-time of 442 BPM.The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bethlehem Down (arr. P. Lane) | Philip Lane, Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 68 BPM | ||
Karelia, JS 115: Tableau 4 - Karl Knutsson in Viipuri Castle | Jean Sibelius, Raimo Laukka, Heikki Laitinen, Taito Hoffren, Pertti Kuusi, Lahti Symphony Orchestra, Osmo Vänskä | A Minor | 2 | 8A | 88 BPM | ||
Manon Lescaut / Act 2: Intermezzo | Giacomo Puccini, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 63 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Capriol Suite: Pieds-en-l'air | Peter Warlock, Summit Brass | G Major | 1 | 9B | 121 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM |
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