Robert Schumann, Piotr Anderszewski's 'Schumann: 6 Studien in kanonischer Form, Op. 56: No. 3, Andantino' came out on November 22, 2010. The duration of Schumann: 6 Studien in kanonischer Form, Op. 56: No. 3, Andantino is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Schumann: 6 Studien in kanonischer Form, Op. 56: No. 3, Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Schumann : Piano works". In this album, this song's track order is #9. Schumann: 6 Studien in kanonischer Form, Op. 56: No. 3, Andantino is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: 6 Studien in kanonischer Form, Op. 56: No. 3, Andantino by Robert Schumann, Piotr Anderszewski having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: No. 1. Eintritt (Entering the Forest) | Robert Schumann, Martin Helmchen | B♭ Major | 0 | 6B | 119 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Don Juan: Gavotte (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | E♭ Major | 0 | 5B | 77 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) | Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda | B Major | 2 | 1B | 171 BPM | ||
Piano Sonata No. 8 in A Minor, K. 310: I. Allegro maestoso | Wolfgang Amadeus Mozart, Maria João Pires | A Minor | 2 | 8A | 135 BPM | ||
D'un cahier d'esquisses, L.99 | Claude Debussy, Nelson Freire | D♭ Major | 0 | 3B | 68 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker | D Major | 0 | 10B | 95 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM |
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