- BPM
- 113
- Key
- A Minor
- Camelot
- 8A
La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil" - Erik Satie, Alexandre Tharaud, Eric Le Sage Information
- Acousticness
- 99%
- Danceability
- 48%
- Energy
- 12%
- Instrumentalness
- 92%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 69%
- Popularity
- 15%
- Loudness
- -19.456 dB
Summary
Erik Satie, Alexandre Tharaud, Eric Le Sage made "La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil"" available on January 20, 2009. The duration of La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil" is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #14. In terms of popularity, La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil" BPM
With La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil" by Erik Satie, Alexandre Tharaud, Eric Le Sage having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
La Belle Excentrique: La Belle Excentrique: II. Valse du "Mystérieux baiser dans l'œil" Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | |
 | 6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | |
 | Three Piano Preludes: No. 2 | Frederick Delius, Eric Parkin | A Minor | 0 | 8A | 174 BPM | |
 | Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | |
 | Gnossienne No. 3 | Erik Satie, Francis Poulenc | A Minor | 0 | 8A | 62 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | |
 | 3 Gymnopédies: No.3 | Erik Satie, Pascal Rogé | G Major | 0 | 9B | 76 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7060418128967285
End: 0.7098288536071777