"Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato" by Czech Philharmonic Orchestra was released on April 1, 2010. Since Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 World Classical Masterpieces, so we believe that "Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato" is a single. The popularity of Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato by Czech Philharmonic Orchestra is Presto (very, very fast), since this song has a tempo of 182 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Stabat Mater, Op.58, B.71: 10. "Quando corpus morietur" | Antonín Dvořák, Eri Nakamura, Elisabeth Kulman, Michael Spyres, Jongmin Park, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 3 | 10B | 171 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) - Live | Edward Elgar, Czech Philharmonic, Leopold Stokowski | G Major | 4 | 9B | 93 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Nicola Benedetti, Czech Philharmonic Orchestra, Jakub Hrůša | E♭ Major | 0 | 5B | 96 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Larghetto | Sergei Prokofiev, Yuri Temirkanov | A Major | 0 | 11B | 109 BPM |
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