"Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) - x" by Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra was released on September 22, 2014. With this song being about 5 minutes long, at 5:23, "Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) - x" by Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Pure - Maria Callas". In this album, this song's track order is #17. Based on our statistics, Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) - x's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) - x by Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Dances for Harp and Orchestra, L. 103: 2. Danse profane | Lavinia Meijer, Amsterdam Sinfonietta | G Major | 1 | 9B | 142 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
Carnival of the Animals: Tortoises | Camille Saint-Saëns, Isata Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes | B♭ Major | 0 | 6B | 78 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |
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