"Harmonies des bois, Op. 76: II. Les larmes de Jacqueline" by Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch was released on October 6, 2017. Harmonies des bois, Op. 76: II. Les larmes de Jacqueline is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Saint-Saëns, Offenbach". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Harmonies des bois, Op. 76: II. Les larmes de Jacqueline is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmonies des bois, Op. 76: II. Les larmes de Jacqueline by Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | ||
Nocturne in D Minor, Op. 19, TH 133, No. 4 | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 59 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": II. Andante | Ludwig van Beethoven, Mari Kodama | B♭ Major | 0 | 6B | 170 BPM | ||
Suite in E Minor, RCT 2: Pièces de clavecin: Suite in E Minor: V. Le rappel des oiseaux (arr. I. Friedman for piano) | Ignaz Friedman, Jean-Philippe Rameau, Joseph Banowetz | E Minor | 2 | 9A | 172 BPM | ||
Danse bohémienne, Op. 28 | Jacques Offenbach, Raphaela Gromes, Julian Riem | D Major | 1 | 10B | 150 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto (Arr. for Cello and Piano by J. Brocal and C. Thomas) | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |
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