"Symphony No.7 C Major HOB 1-7 'Le Midi': Recitativo-Adagio" by I Musici Di San Marco, Alberto Lizzio was released on July 1, 1996. Since Symphony No.7 C Major HOB 1-7 'Le Midi': Recitativo-Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in I Musici Di San Marco, Alberto Lizzio's "Haydn - Symphonies" album is number 6 out of 12. Symphony No.7 C Major HOB 1-7 'Le Midi': Recitativo-Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.7 C Major HOB 1-7 'Le Midi': Recitativo-Adagio by I Musici Di San Marco, Alberto Lizzio to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction | Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra | G Minor | 0 | 6A | 131 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 3 | 9B | 80 BPM | ||
Symphony No.6 D Major HOB 1-6 'Le Matin': Menuetto | I Musici Di San Marco, Alberto Lizzio | D Major | 1 | 10B | 132 BPM | ||
Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Rigaudon | I Musici Di San Marco, Alberto Lizzio | G Major | 2 | 9B | 120 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM |
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