"Missa In C K. 317 - Coronation Mass - Kyrie" by Bernhard Klee, Edith Mathis, English Chamber Orchestra was released on 1990. The duration of Missa In C K. 317 - Coronation Mass - Kyrie is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Missa In C K. 317 - Coronation Mass - Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bernhard Klee's "Mozart: Sacred Music" album is number 1 out of 27. Missa In C K. 317 - Coronation Mass - Kyrie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa In C K. 317 - Coronation Mass - Kyrie by Bernhard Klee, Edith Mathis, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto (Scored for String Orchestra) | Franz Schubert, Charles Rosekrans, Royal Philharmonic Orchestra | F Major | 2 | 7B | 73 BPM | ||
Symphony No. 1 in D Major, Hob.I:1: III. Finale: Presto | Joseph Haydn, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Major | 1 | 10B | 119 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: IV. Grave - Presto - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 114 BPM | ||
Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie | Orquesta Filarmónica De Londres, Harry Zinman, C. Cantelu, J. Gastani, D. White, T. Cameron | C Major | 1 | 8B | 176 BPM | ||
String Quartet in D Major, SC 50 (Reconstr. by Wolfgang Ludewig): IV. Allegro vivo | Giacomo Puccini, Paolo Morena, Fabio Ravasi, Cynthia Liao, Gabriele Zanetti | A Major | 0 | 11B | 69 BPM | ||
Schumann: Vom Pagen und die Königstochter, Op. 140: Ballade III. "Den Runenstein in der Sommernacht" | Robert Schumann, Doris Soffel/Walter Berry/Ilse Gramatzki/Brigitte Lindner /Josef Protschka/Peter Meven/Audrey Michael/Chor des Städt. Musikvereins zu Düsseldorf/Hartmut Schmidt/Düsseldorfer Symphoniker/Bernhard Klee/Andreas Schmidt, Audrey Michael, Chor des Städtischen Musikvereins zu Düsseldorf, Ilse Gramatzki, Peter Meven, Bernhard Klee, Düsseldorfer Symphoniker | A Major | 1 | 11B | 99 BPM | ||
Il Turco in Italia: Overture (Sinfonia) | Gioachino Rossini, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | A Major | 1 | 11B | 109 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et resurrexit | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Iphigenie in Tauris - Ouvertüre | Camerata Romana, Alberto Lizzio | C Major | 1 | 8B | 95 BPM |
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