Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding's 'Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)' came out on August 26, 2016. Since Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 14 in Berlioz: Symphonie fantastique: Rameau: Suite de Hippolyte et aricie by Swedish Radio Symphony Orchestra, Daniel Harding. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Harold en Italie, Op. 16: 2. Marche des Pèlerins (Allegretto) | Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 82 BPM | ||
Saint-Saëns: Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | G Minor | 2 | 6A | 88 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM |
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