Charles Gounod, Johann Sebastian Bsch, Sebastian Comberti, Miriam Keogh's 'Ave Maria' came out on January 1, 2002. The duration of Ave Maria is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Romance". In this album, this song's track order is #1. Based on our statistics, Ave Maria's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Charles Gounod, Johann Sebastian Bsch, Sebastian Comberti, Miriam Keogh having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Rudolf Buchbinder | D♭ Minor | 0 | 12A | 93 BPM | ||
Liszt - Liebestraume No.3 | Brodin Ray | A♭ Major | 1 | 4B | 63 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Siren Sounds Waltz: VI. Coda | Alma Deutscher | A Major | 1 | 11B | 62 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM |
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