Steve Reich, Andrea Nagy made "New York Counterpoint (Version for Clarinet & Tape): III. Quarter Note = 184" available on December 4, 2020. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Steve Reich: Eight Lines, City Life & Other Works". In this album, this song's track order is #6. In terms of popularity, New York Counterpoint (Version for Clarinet & Tape): III. Quarter Note = 184 is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With New York Counterpoint (Version for Clarinet & Tape): III. Quarter Note = 184 by Steve Reich, Andrea Nagy having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Longing for a Frozen Sky | Ernst Reijseger | C Minor | 2 | 5A | 117 BPM | ||
One Earth, One People, One Love (From Sun Rings) | Terry Riley, Kronos Quartet | G Major | 1 | 9B | 88 BPM | ||
The Sinking of the Titanic: 1. Opening Part I | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 4 | 4B | 86 BPM | ||
Mountain of Air | Ellen Arkbro | G Minor | 1 | 6A | 69 BPM | ||
Slow Motion Blackbird | Chris Merrick Hughes | F♯ Major | 3 | 2B | 131 BPM | ||
For All Its Fury: III. Coil | Devonté Hynes, Third Coast Percussion | A Minor | 4 | 8A | 60 BPM | ||
Living Sketch | Haruomi Hosono | B Minor | 3 | 10A | 160 BPM | ||
Empire I | Jon Hassell | E Minor | 1 | 9A | 131 BPM | ||
2x5: II. Slow | Steve Reich, Mats Bergström, Johan Liljedahl, Svante Henryson, Jonas Ostholm | D Minor | 1 | 7A | 86 BPM | ||
Deep Hockets | Stuart Dempster, Pauline Oliveros, David Gamper, Deep Listening Band | D Minor | 1 | 7A | 89 BPM |
Section: 0.7749037742614746
End: 0.7786459922790527