"Pierrot Lunaire, Op. 21 / Part 2: XIII. Enthauptung" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. The duration of Pierrot Lunaire, Op. 21 / Part 2: XIII. Enthauptung is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Pierrot Lunaire, Op. 21 / Part 2: XIII. Enthauptung's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #13. Pierrot Lunaire, Op. 21 / Part 2: XIII. Enthauptung is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 2: XIII. Enthauptung by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Nixon in China: Act II, Scene 1 - "This Is Prophetic!" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 0 | 7B | 87 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
Tragoedia: Episodion: Strophe I - Anapaest I | Harrison Birtwistle, Ensemble Intercontemporain, Pierre Boulez | D Major | 0 | 10B | 177 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: II. Moderato | Dmitri Shostakovich, Mstislav Rostropovich, Hugh Seenan, Seiji Ozawa, London Symphony Orchestra | G Major | 0 | 9B | 80 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Dietrich Henschel, Michael Schade, Concentus Musicus Wien | B Minor | 1 | 10A | 81 BPM | ||
Kantate No. 2, Op. 31: V. Freundselig ist das Wort | Anton Webern, Pierre Boulez, London Symphony Orchestra | A♭ Major | 0 | 4B | 104 BPM | ||
Songfest: IV. "To What You Said ..." | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, Donald Gramm, John Reardon, National Symphony Orchestra Washington | B♭ Major | 0 | 6B | 109 BPM | ||
Dupree's Paradise | Frank Zappa, Ensemble Intercontemporain, Pierre Boulez, Barking Pumpkin Digital Gratification Consort | F Major | 3 | 7B | 147 BPM | ||
Gurrelieder / Pt. 1: V. Tove: Sterne jubeln | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | G Minor | 5 | 6A | 147 BPM |
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