Piqué Turns (From Don Quixote) - Douglas Schultz Information

Acousticness
99%
Danceability
61%
Energy
14%
Instrumentalness
87%
Liveness
9%
Loudness
64%
Speechiness
5%
Valence
86%
Popularity
Loudness
-21.429 dB

Summary

On 1998, the song "Piqué Turns (From Don Quixote)" was released by Douglas Schultz. With Piqué Turns (From Don Quixote) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 25 in Ballet Class Music from New York City: Music from Minkus by Douglas Schultz, Ludwig Minkus. Based on our statistics, Piqué Turns (From Don Quixote)'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Piqué Turns (From Don Quixote) BPM

The tempo marking of Piqué Turns (From Don Quixote) by Douglas Schultz is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Piqué Turns (From Don Quixote) Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 4 in A Major, Op. 90, MWV N16, Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": I. Allegro vivaceFelix Mendelssohn, Heidelberg Symphony Orchestra, Thomas FeyA Major211B77 BPM
Don Quixote: Act II: Gypsy Dance II by Ludwig Minkus, Sofia National Opera Orchestra, Nayden TodorovDon Quixote: Act II: Gypsy Dance IILudwig Minkus, Sofia National Opera Orchestra, Nayden TodorovD♭ Major23B78 BPM
Le Carnaval des Animaux, R. 125: 7. Aquarium by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles DutoitLe Carnaval des Animaux, R. 125: 7. AquariumCamille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles DutoitA Minor08A136 BPM
Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) by Alexander Glazunov, Kivov Orchestra, Viktor FedotovRaymonda, Act I: La Romanesca (Danse pour deux dames et deux pages)Alexander Glazunov, Kivov Orchestra, Viktor FedotovE Minor19A106 BPM
La Bayadere, Act III: 46. La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade"Evergreen Symphony Orchestra, Kevin GalièD Major010B170 BPM
Sylvia, Suite: 3. Pizzicati by Léo Delibes, Gothenburg Symphony Orchestra, Neeme JärviSylvia, Suite: 3. PizzicatiLéo Delibes, Gothenburg Symphony Orchestra, Neeme JärviC Minor15A142 BPM
Waltz No. 10 in B Minor, Op. 69, No. 2 by Frédéric Chopin, Idil BiretWaltz No. 10 in B Minor, Op. 69, No. 2Frédéric Chopin, Idil BiretB Minor010A155 BPM
Coppélia, Act I: Valse Lente by Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark ErmlerCoppélia, Act I: Valse LenteLéo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark ErmlerE♭ Major25B91 BPM
Le Cid / Act 2: Aragonaise by Jules Massenet, National Philharmonic Orchestra, Richard BonyngeLe Cid / Act 2: AragonaiseJules Massenet, National Philharmonic Orchestra, Richard BonyngeG Major29B78 BPM
Act I: Entree Of Kitri (Minkus) by Mariinsky OrchestraAct I: Entree Of Kitri (Minkus)Mariinsky OrchestraG Major19B172 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8723516464233398

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