"I Lituani / Act 3: "Sì...questa estrema grazia"" by Amilcare Ponchielli, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano was released on January 1, 2010. The duration of I Lituani / Act 3: "Sì...questa estrema grazia" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. I Lituani / Act 3: "Sì...questa estrema grazia"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verismo Arias by Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. The song's track number on the album is #14 out of 18 tracks. The popularity of I Lituani / Act 3: "Sì...questa estrema grazia" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since I Lituani / Act 3: "Sì...questa estrema grazia" by Amilcare Ponchielli, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano has a tempo of 176 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With I Lituani / Act 3: "Sì...questa estrema grazia" being at 176 BPM, the half-time would be 88 BPM with a double-time of 352 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Carmen, Acte II: "Je le veux, Carmen... La fleur que tu m'avais jetée" | Georges Bizet, Jonas Kaufmann, Bertrand de Billy | D♭ Major | 1 | 3B | 84 BPM | ||
Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | C Major | 2 | 8B | 84 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Sir Simon Rattle, Jonas Kaufmann, Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM | ||
Carmen, Act III, No.24 Finale: Prends garde à toi Carmen (Don José/Le Dancaïro/Bohémiens et Bohémiennes/Le Remendado/Carmen/Micaëla/Frasquita/Mercédès) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 4 | 3B | 87 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Fine al rito e il sacro bosco (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 57 BPM | ||
Puccini: Turandot, Act 1: "Silenzio, olà!" (Le ancelle di Turandot, Coro, Calaf, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michele Pertusi, Rakhsha Ramezani Melami, Valentina Iannotta, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Minor | 0 | 10A | 88 BPM |
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