Johann Sebastian Bach, Walter Gieseking made "Prelude And Fugue In E Minor (Well-Tempered Clavier, Book II, No.10), BWV 879" available on May 1, 2021. Prelude And Fugue In E Minor (Well-Tempered Clavier, Book II, No.10), BWV 879 is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #148. In terms of popularity, Prelude And Fugue In E Minor (Well-Tempered Clavier, Book II, No.10), BWV 879 is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Prelude And Fugue In E Minor (Well-Tempered Clavier, Book II, No.10), BWV 879 by Johann Sebastian Bach, Walter Gieseking having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: II. Largo | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |
Section: 0.7041013240814209
End: 0.7094602584838867