"Le vaisseau fantôme, Ouverture" by George London, Leonie Rysanek, Giorgio Tozzi, Karl Liebl, Rosalind Elias, Richard Lewis, Choeurs et Orchestre du Royal Opera House Covent Garden, Antal Doráti was released on 1960. Le vaisseau fantôme, Ouverture appears to be safe for all ages as it is not explicit. This song is part of Wagner: Le vaisseau fantôme (Les indispensables de Diapason) by Various Artists. The song's track number on the album is #1 out of 27 tracks. Le vaisseau fantôme, Ouverture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Le vaisseau fantôme, Ouverture by George London, Leonie Rysanek, Giorgio Tozzi, Karl Liebl, Rosalind Elias, Richard Lewis, Choeurs et Orchestre du Royal Opera House Covent Garden, Antal Doráti has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Le vaisseau fantôme, Ouverture being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù" | Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Major | 1 | 11B | 78 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Wagner: Lohengrin, Act 3: "Mein lieber Schwan...Leb wohl! (Lohengrin, Henry, Ortrud, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Peter Seiffert, René Pape, Staatskapelle Berlin | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen" | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Rossini: Il Barbiere di Siviglia, Act 1: "Una voce poco fà" (Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri, John Constable | F Major | 2 | 7B | 133 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM |
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