Canción al Arbol del Olvido
Eteri Lamoris, Eduardo Grossenstein
Mis Canciones Favoritas
2:42 2000
BPM
87
Key
F Major
Camelot
7B

Embed

Share Link

Canción al Arbol del Olvido - Eteri Lamoris, Eduardo Grossenstein Information

Acousticness
99%
Danceability
31%
Energy
14%
Instrumentalness
2%
Liveness
11%
Loudness
81%
Speechiness
4%
Valence
11%
Popularity
Loudness
-11.208 dB

Summary

"Canción al Arbol del Olvido" by Eteri Lamoris, Eduardo Grossenstein was released on 2000. The duration of Canción al Arbol del Olvido is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Canción al Arbol del Olvido's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Eteri Lamoris, Eduardo Grossenstein's "Mis Canciones Favoritas" album is number 8 out of 25. Canción al Arbol del Olvido is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Canción al Arbol del Olvido BPM

We consider the tempo marking of Canción al Arbol del Olvido by Eteri Lamoris, Eduardo Grossenstein to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.

Canción al Arbol del Olvido Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 1: Duettino - Cinque, Dieci... by Donato Di Stefano, Jozsef Mukk, Maria Pia Ionata, Natale de Carolis, Ingrid Kertesi, Roberto Frontali, Patrizia Pace, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da PonteLe Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 1: Duettino - Cinque, Dieci...Donato Di Stefano, Jozsef Mukk, Maria Pia Ionata, Natale de Carolis, Ingrid Kertesi, Roberto Frontali, Patrizia Pace, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da PonteD Major110B114 BPM
Fedora / Act 2: Fedora / Act 2: "Amor ti vieta"Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark ElderC Major18B91 BPM
Madama Butterfly / Act 2: Addio fiorito asil by Giacomo Puccini, Luciano Pavarotti, Robert Kerns, Elke Schary, Christa Ludwig, Wiener Philharmoniker, Herbert von KarajanMadama Butterfly / Act 2: Addio fiorito asilGiacomo Puccini, Luciano Pavarotti, Robert Kerns, Elke Schary, Christa Ludwig, Wiener Philharmoniker, Herbert von KarajanD♭ Major23B135 BPM
Variations on an Original Theme, Op. 36 Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante)Edward Elgar, Philharmonia Orchestra, Giuseppe SinopoliG Major09B92 BPM
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? by Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus MozartLe Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti?Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus MozartC Major18B81 BPM
Tosca, Act 1: Tosca, Act 1: "Recondita armonia"Zurab SotkilavaF Major37B88 BPM
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa by Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de LausanneRossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco faGioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de LausanneE Major112B68 BPM
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery GergievEugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugomPyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery GergievB♭ Major26B96 BPM
Cavalleria Rusticana I - Intermezzo by Heribert BeisselCavalleria Rusticana I - IntermezzoHeribert BeisselF Major17B81 BPM
Il barbiere di Siviglia (The Barber of Seville), Act 1: Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" (Rosina's Cavatina)Eteri Lamoris, Tbilisi Symphony OrchestraE Major212B113 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6936335563659668

End: 0.6974785327911377