"Canción al Arbol del Olvido" by Eteri Lamoris, Eduardo Grossenstein was released on 2000. The duration of Canción al Arbol del Olvido is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Canción al Arbol del Olvido's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Eteri Lamoris, Eduardo Grossenstein's "Mis Canciones Favoritas" album is number 8 out of 25. Canción al Arbol del Olvido is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canción al Arbol del Olvido by Eteri Lamoris, Eduardo Grossenstein to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 1: Duettino - Cinque, Dieci... | Donato Di Stefano, Jozsef Mukk, Maria Pia Ionata, Natale de Carolis, Ingrid Kertesi, Roberto Frontali, Patrizia Pace, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 114 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Madama Butterfly / Act 2: Addio fiorito asil | Giacomo Puccini, Luciano Pavarotti, Robert Kerns, Elke Schary, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 135 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Tosca, Act 1: "Recondita armonia" | Zurab Sotkilava | F Major | 3 | 7B | 88 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Cavalleria Rusticana I - Intermezzo | Heribert Beissel | F Major | 1 | 7B | 81 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" (Rosina's Cavatina) | Eteri Lamoris, Tbilisi Symphony Orchestra | E Major | 2 | 12B | 113 BPM |
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