Johann Strauss I, Academy of St. Martin in the Fields, Sir Neville Marriner made "Radetzky-Marsch, Op. 228" available on August 1, 1988. The duration of Radetzky-Marsch, Op. 228 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Radetzky-Marsch, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. This song is part of With Love From Vienna by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #1 out of 9 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Radetzky-Marsch, Op. 228 by Johann Strauss I, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Radetzky-Marsch, Op. 228 being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie (Transc. for Trumpet and Orchestra) | Johann Sebastian Bach, Maurice André, Franz Liszt Chamber Orchestra, Budapest, Sandor Frigyes, Franz Liszt Chamber Orchestra | B Minor | 4 | 10A | 121 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Largo aus der "Neuen Welt" / 9. Sinfonie (Largo from The New World) | Antonín Dvořák, Adrian Leaper | B♭ Minor | 0 | 3A | 75 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Radetzky March, Op. 228 | London Philharmonic Orchestra | A Major | 5 | 11B | 104 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): And after them Grandfather, complaining, and the Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 112 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM |
Section: 0.9167253971099854
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