"6 Épigraphes antiques, L.131: 5. Pour l'Egyptienne" by Claude Debussy, Katia & Marielle Labèque was released on June 6, 2021. The duration of 6 Épigraphes antiques, L.131: 5. Pour l'Egyptienne is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 6 Épigraphes antiques, L.131: 5. Pour l'Egyptienne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 45 in Debussy for reading by Claude Debussy. 6 Épigraphes antiques, L.131: 5. Pour l'Egyptienne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Épigraphes antiques, L.131: 5. Pour l'Egyptienne by Claude Debussy, Katia & Marielle Labèque is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |
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