Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra's 'The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation V: Violins (Brilliante alla pollaca)' came out on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation V: Violins (Brilliante alla pollaca) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. In terms of popularity, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation V: Violins (Brilliante alla pollaca) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation V: Violins (Brilliante alla pollaca) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heartbeats Across Oceans | Tyranthium | E♭ Major | 5 | 5B | 138 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15a, Pas d'action. Scene of Aurora and Désiré | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 102 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Meeting Of Tybalt and Mercutio - Duel - Death Of Mercutio | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | A Minor | 2 | 8A | 106 BPM | ||
Sheep May Safely Graze | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | B♭ Major | 1 | 6B | 86 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Symphony No. 2 in E Minor, Op. 27: Ia. Largo | Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin | E Minor | 1 | 9A | 104 BPM | ||
Don Quixote, Op. 35: The Adventure with the Procession of Penitents - Variation IV | Richard Strauss, Fritz Reiner | G Major | 2 | 9B | 88 BPM | ||
Coppelia: Act II - Gigue | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 98 BPM | ||
Treasure Waltz, Op.418 | Johann Strauss II, Eugene Ormandy | C Major | 2 | 8B | 95 BPM | ||
Battle Preparations, Pt. 1 & 2 | Miklós Rózsa | C Major | 2 | 8B | 130 BPM |
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