"Juxta Crucem" by Andreas Scholl was released on November 1, 2010. The duration of Juxta Crucem is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Juxta Crucem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 8 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Juxta Crucem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Juxta Crucem by Andreas Scholl to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | ||
Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | C Major | 0 | 8B | 116 BPM | ||
Stabat Mater, RV 621: II. Cujus animam gementem | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E♭ Minor | 1 | 2A | 139 BPM | ||
MAGNIFICAT: II. Ecce enim | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Maria Næss, Magne H. Draagen | A Minor | 1 | 8A | 77 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Nu rue mit sorgen | Oswald von Wolkenstein, Andreas Scholl, Shields of Harmony, Crawford Young | C Minor | 0 | 5A | 130 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Messe in H-moll, BWV 232: Kyrie eleison I | La Capella Reial De Catalunya | B♭ Minor | 2 | 3A | 133 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM |
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