Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave - Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz Information

Acousticness: 83%
Danceability: 16%
Energy: 3%
Instrumentalness: 0%
Liveness: 14%
Loudness: 58%
Speechiness: 4%
Valence: 9%
Popularity: 16%
Loudness: -24.99 dB

Summary

"Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave" by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz was released on October 21, 2010. The duration of Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #3. Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave BPM

With Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Trio in E flat major / Mi bémol majeur / Es-dur: III. Grave Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Flute Concerto No. 3 in C Major: III. Allegro assai	Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin	B Major	1	1B	129 BPM
Correnti e balletti, Op. 4: No. 33, Ciaconna	Maurizio Cazzati, London Baroque	D♭ Major	3	3B	96 BPM
Concerto in C Major, H.117, Op. 7: I. Francese Presto	Francesco Geminiani, Café Zimmermann	B Major	3	1B	112 BPM
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice]	Jean-Baptiste Lully, William Christie, Les Arts Florissants	F Minor	1	4A	71 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM
Werd ich denn zu deiner Rechten, TVWV 1:1579: XXVII. 27. Nr. 2 Choral »Fürwahr, fürwahr euch sage ich« – Rezitativ (Bass)	Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch, Klaus Mertens	B Major	1	1B	103 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	0	7B	104 BPM
Concerto No. 4 in G major, BWV 1049: I. Allegro	Johann Sebastian Bach, Freiburger Barockorchester	F Major	2	7B	99 BPM
Telemann: Concerto for Four Violins in G Major, TWV 40:201: III. Adagio	Georg Philipp Telemann, Nikolaus Harnoncourt, Alice Harnoncourt, Kurt Theiner, Peter Schoberwalter, Walter Pfeiffer, Concentus Musicus Wien	A Major	2	11B	121 BPM
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Major	1	4B	187 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.202955961227417

End: 1.2077913284301758