"Fauré: Pavane, Op. 50 (Version with Chorus)" by Gabriel Fauré, Paavo Järvi, Orchestre de Paris was released on September 5, 2011. Fauré: Pavane, Op. 50 (Version with Chorus) is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 10 out of 11 in Fauré: Requiem, Cantique de Jean Racine by Gabriel Fauré, Philippe Jaroussky, Matthias Goerne, Orchestre de Paris, Paavo Järvi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: Pavane, Op. 50 (Version with Chorus) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Pavane, Op. 50 (Version with Chorus) by Gabriel Fauré, Paavo Järvi, Orchestre de Paris is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mondonville : Dominus regnavit : I | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 2 | 5A | 126 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Te Deum Motet à deux choeurs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 147 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | B Major | 1 | 1B | 80 BPM | ||
Dido and Aeneas, Z.626 - Arr. for cello and choir: Purcell: When I am laid in earth (Dido and Aeneas, Z.626 - Arr. for cello and choir) | Henry Purcell, Henri Demarquette, Sequenza 9.3, Catherine Simonpietri | C Major | 1 | 8B | 74 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | C Minor | 1 | 5A | 85 BPM | ||
Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM |
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