"Madama Butterfly, SC 74, Act II: Humming Chorus" by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel, May Festival Chorus was released on November 21, 2023. The duration of Madama Butterfly, SC 74, Act II: Humming Chorus is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Madama Butterfly, SC 74, Act II: Humming Chorus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winter Classical by Various Artists. The song's track number on the album is #29 out of 91 tracks. Based on our data, United States was the country where this track was produced or recorded. Madama Butterfly, SC 74, Act II: Humming Chorus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Madama Butterfly, SC 74, Act II: Humming Chorus by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel, May Festival Chorus has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Madama Butterfly, SC 74, Act II: Humming Chorus being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
|Die tote Stadt, Op. 12 / Act 1: Glück, das mir verblieb (Mariettalied)||Erich Wolfgang Korngold, Beverly Sills, London Philharmonic Orchestra, Julius Rudel||B♭ Major||1||6B||59 BPM|
|Salut d'amour, Op. 12 (version for orchestra)||Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper||B♭ Major||1||6B||82 BPM|
|Madama Butterfly, SC 74: Che giova? ... Io so che alle sue pene||Giacomo Puccini, Jonathan Tetelman, Rihab Chaieb, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi||F♯ Major||4||2B||94 BPM|
|Tristan und Isolde / Act 3: "Mild und leise wie er lächelt"||Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber||B Major||2||1B||90 BPM|
|Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor"||Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni||G Major||2||9B||68 BPM|
|Ma rendi pur contento||Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato||A♭ Major||1||4B||79 BPM|
|Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta)||Giacomo Puccini, Barbara Hendricks, Orchestre Philharmonique de Radio France, Paavo Järvi||A♭ Major||1||4B||87 BPM|
|Casanova: Nuns' Chorus||Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge||F♯ Major||2||2B||88 BPM|
|La Cenerentola: Overture (Sinfonia)||Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly||A Minor||1||8A||116 BPM|
|Intermezzo From Cavalleria Rusticana||Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis||F Major||1||7B||86 BPM|