Anna Netrebko, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir's 'Die Csárdásfürstin / Act I: "Heia, heia, in den Bergen ist mein Heimatland"' came out on September 1, 2017. The duration of Die Csárdásfürstin / Act I: "Heia, heia, in den Bergen ist mein Heimatland" is about 3 minutes long, at 3:26. Based on our data, "Die Csárdásfürstin / Act I: "Heia, heia, in den Bergen ist mein Heimatland"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "Romanza (Deluxe Edition)". In this album, this song's track order is #4. Based on our statistics, Die Csárdásfürstin / Act I: "Heia, heia, in den Bergen ist mein Heimatland"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Csárdásfürstin / Act I: "Heia, heia, in den Bergen ist mein Heimatland" by Anna Netrebko, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | C Major | 1 | 8B | 0 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
Auf Ferienreisen, Polka schnell, Op. 133 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | F Major | 4 | 7B | 149 BPM | ||
Fächer-Polonaise op. 525 | Orchester der Wiener Staatsope | D Major | 3 | 10B | 100 BPM | ||
Weißt du es noch | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Minor | 2 | 5A | 81 BPM | ||
Alte Kameraden | Carl Teike, Berlin Philharmonic Wind Ensemble, Herbert von Karajan | D♭ Major | 4 | 3B | 120 BPM | ||
Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM | ||
Die Fledermaus: Ouvertüre | Herbert von Karajan, Wiener Philharmoniker | D Major | 2 | 10B | 46 BPM | ||
Die Csardasfurstin (The Gypsy Princess), Act III: Das ist die Liebe | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | F Major | 3 | 7B | 86 BPM | ||
Bulgaren-marsch | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 4 | 11B | 120 BPM |
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