Martin Léon's 'La shack à Chuck' came out on November 22, 2010. La shack à Chuck is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Martin Léon's "Les Atomes" album is number 6 out of 11. In terms of popularity, La shack à Chuck is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of La shack à Chuck by Martin Léon to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Follow Rivers | Dionysos | G Major | 5 | 9B | 109 BPM | ||
Pupille | Catherine Major | D Minor | 4 | 7A | 102 BPM | ||
La Confession | Lhasa De Sela | E Minor | 5 | 9A | 94 BPM | ||
Tara tari | Féloche | D Minor | 4 | 7A | 120 BPM | ||
Je ne te dirai pas | Clarika | B Minor | 6 | 10A | 104 BPM | ||
Félicie | Martin Léon | F Major | 5 | 7B | 121 BPM | ||
Motocross | Jimmy Hunt | D Major | 6 | 10B | 112 BPM | ||
Elle est si touchante | Jacques Higelin | D Minor | 4 | 7A | 120 BPM | ||
Mon commandant | Sages comme des sauvages | G Minor | 6 | 6A | 91 BPM | ||
Touche du bois (l'histoire d'un chapeau) | Ann Victor, Geneviève Bilodeau, Martin Léon | F Major | 9 | 7B | 127 BPM |
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