"Antidotum tarantulae" by Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley was released on 2001. The duration of Antidotum tarantulae is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Antidotum tarantulae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley's "La Tarantella: Antidotum Tarantulae (Extraits de la bande originale du film "Tous les soleils")" album is number 17 out of 17. In terms of popularity, Antidotum tarantulae is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Antidotum tarantulae by Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bütner: Ich suchte des Nachts in meinem Bette | Crato Bütner, Christina Pluhar, Céline Scheen, L'Arpeggiata | C Major | 1 | 8B | 81 BPM | ||
Traditional / Arr. Pluhar: Lo Guarracino. Tarentella | Traditional, Christina Pluhar, Alessandro Giangrande | B♭ Major | 7 | 6B | 136 BPM | ||
Ninna Nanna sopra la romanesca | L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi | B Minor | 0 | 10A | 131 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial | G Major | 1 | 9B | 75 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Amarilli mia bella | Giulio Caccini, Stephan Van Dyck, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | G Major | 0 | 9B | 76 BPM | ||
Handel / Arr Pluhar: Tu del Ciel ministro eletto (Aria di Bellezza, from Il trionfo del Tempo e del Disinganno HWV 46a) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | C Major | 1 | 8B | 94 BPM | ||
Cuckold Come Out the Amery | John Peacock, Les Musiciens De Saint-Julien, François Lazarevitch | B Major | 3 | 1B | 128 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Ziani / Arr. Pluhar: Aure voi che sussurrate | Pietro Andrea Ziani, Christina Pluhar, Céline Scheen | E♭ Major | 1 | 5B | 98 BPM |
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