"6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido)" by Franz Liszt, Daniel Barenboim was released on January 1, 1992. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Daniel Barenboim's "Liszt: Dreams of Love; Consolations; Sonnets of Petrarca; Rigoletto Paraphrase" album is number 3 out of 13. On top of that, Germany appears to be the country where this track was created. 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) by Franz Liszt, Daniel Barenboim to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 9. Les cloches de Geneve (The Bells of Geneva) | Franz Liszt, Michael Korstick | B Major | 0 | 1B | 130 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 2 | 12B | 105 BPM | ||
Ravel: Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Bertrand Chamayou | D Major | 1 | 10B | 66 BPM | ||
Piano Sonata No. 1 In F Minor, Op. 2, No. 1: 2. Adagio | Ludwig van Beethoven, Daniel Barenboim | F Major | 0 | 7B | 67 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |
Section: 0.9081008434295654
End: 0.9132418632507324