"Zigeunerweisen, Op. 20" by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine was released on January 1, 1993. Since Zigeunerweisen, Op. 20 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Wiener Philharmoniker, James Levine, Gabriel Fauré, Giuseppe Tartini, Henryk Wieniawski, Jules Massenet, Maurice Ravel, Pablo de Sarasate. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Zigeunerweisen, Op. 20 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zigeunerweisen, Op. 20 by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 78 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Fantaisie Caprice | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | B♭ Major | 1 | 6B | 134 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Bohuslav Matousek, Zdenek Dejmek, Janacek Chamber Orchestra | B Minor | 1 | 10A | 120 BPM |
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