- BPM
- 86
- Key
- E Minor
- Camelot
- 9A
Vaughan Williams: The Lark Ascending - Ralph Vaughan Williams, Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra Information
- Acousticness
- 87%
- Danceability
- 10%
- Energy
- 3%
- Instrumentalness
- 12%
- Liveness
- 8%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 23%
- Loudness
- -28.066 dB
Summary
"Vaughan Williams: The Lark Ascending" by Ralph Vaughan Williams, Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra was released on November 1, 1997. Vaughan Williams: The Lark Ascending appears to be safe for all ages as it is not explicit. The song is number 4 out of 4 in Elgar: Violin Concerto - Vaughan Williams: The Lark Ascending by Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra. Vaughan Williams: The Lark Ascending is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vaughan Williams: The Lark Ascending BPM
The tempo marking of Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Vaughan Williams: The Lark Ascending Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto in F Minor, RV 297 "L'inverno": II. Largo (No. 4 from "Il cimento dell'armonia e dell'inventione", Op. 8) | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B♭ Major | 1 | 6B | 99 BPM | |
 | Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 130 BPM | |
 | Peer Gynt - Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Libor Pešek, Slovak Philharmonic | A Minor | 0 | 8A | 157 BPM | |
 | Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | |
 | Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | |
 | Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) | George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 79 BPM | |
 | Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | |
 | The Sea: I. Seascape | Frank Bridge, Ulster Orchestra, Vernon Handley | F♯ Minor | 1 | 11A | 86 BPM | |
 | Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner/London Mozart Players/Jane Glover, Jane Glover, London Mozart Players | D Major | 0 | 10B | 79 BPM | |
 | Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6976888179779053
End: 0.7008266448974609