Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio
Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin
Aranjuez
10:52 January 1, 2014
BPM
70
Key
B Minor
Camelot
10A

Embed

Share Link

Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio - Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin Information

Acousticness
94%
Danceability
25%
Energy
5%
Instrumentalness
93%
Liveness
10%
Loudness
64%
Speechiness
5%
Valence
7%
Popularity
Loudness
-21.59 dB

Summary

"Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio" by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin was released on January 1, 2014. Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio appears to be safe for all ages as it is not explicit. The song is number 2 out of 10 in Aranjuez by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin, Manuel de Falla. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio BPM

The tempo marking of Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
En Aranjuez Con Tu Amor by Joaquín Rodrigo, Alfredo Garcia Segura, Fernando LimaEn Aranjuez Con Tu AmorJoaquín Rodrigo, Alfredo Garcia Segura, Fernando LimaA Minor18A110 BPM
Capriccio Espagnol: Alborada by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenCapriccio Espagnol: AlboradaNikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim SvenhedenA Major411B126 BPM
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff) by Wilhelm Kempff, George Frideric Handel, Roland PöntinenKeyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff)Wilhelm Kempff, George Frideric Handel, Roland PöntinenG Minor06A67 BPM
Norma / Act I: Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra)Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu HerzogF Major17B91 BPM
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) by Luigi Boccherini, Europa Galante, Fabio BiondiBoccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major)Luigi Boccherini, Europa Galante, Fabio BiondiF Major47B89 BPM
Oboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin) by Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter MaagOboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin)Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter MaagG Major29B108 BPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] by Johannes Brahms, Yo-Yo MaWiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]Johannes Brahms, Yo-Yo MaE♭ Major05B134 BPM
Meditation: Méditation from Thaïs by Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel HardingMeditation: Méditation from ThaïsJules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel HardingE Minor19A89 BPM
Schwanengesang, S. 560: No. 7, Ständchen Schwanengesang, S. 560: No. 7, Ständchen "Leise flehen meine Lieder"Franz Liszt, Murray PerahiaA♭ Major14B88 BPM
Ständchen (From Schwanengesang, D957) by Franz Liszt, Evgeny KissinStändchen (From Schwanengesang, D957)Franz Liszt, Evgeny KissinD Major010B68 BPM
ISRC
GBUM71307391
Label
L-M Records/RCA Records

Section: 0.735419750213623

End: 0.739063024520874