Ton Koopman's 'Präludium Und Fuge In C Minor, BWV 549: II. Fuge' came out on February 6, 1988. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 12 in Bach: Orgelwerke II (Organ Works II) by Ton Koopman. Präludium Und Fuge In C Minor, BWV 549: II. Fuge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Präludium Und Fuge In C Minor, BWV 549: II. Fuge by Ton Koopman is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 105 BPM | ||
Kommt her zu mir alle, TVWV 1:1008: XIV. 2. Chor: Kommt her zu mir alle | Georg Philipp Telemann, Hamburger Ratsmusik, Simone Eckert, Hanna Zumsande, Geneviève Tschumi, Mirko Ludwig, Klaus Mertens | A♭ Minor | 1 | 1A | 86 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 16 in G minor, BWV 861 | Luc Beauséjour | F♯ Minor | 2 | 11A | 91 BPM | ||
Trio-Sonate In C Major, BWV 529: I. Allegro | Ton Koopman | C Major | 3 | 8B | 66 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 80 BPM | ||
Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 90 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Markuspassion: No. 4, Rezitativ. JEsus aber sprach: Lasset sie zufrieden | Nikolaus Matthes, Ensemble Gli Aspetti, Georg Poplutz, Daniel Perez | D♭ Minor | 0 | 12A | 90 BPM | ||
Concerto in F minor for oboe, strings and basso continuo: II. Largo | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E Minor | 0 | 9A | 36 BPM |
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