"Purcell: "O Solitude, My Sweetest Choice", Z. 406" by Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby was released on June 5, 2001. With this song being about 5 minutes long, at 5:24, "Purcell: "O Solitude, My Sweetest Choice", Z. 406" by Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 42 in the song's album "Purcell: Songs and Airs". In this album, this song's track order is #1. Purcell: "O Solitude, My Sweetest Choice", Z. 406 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: "O Solitude, My Sweetest Choice", Z. 406 by Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Couplets de folies (Arr. Horsch for Recorder & Lute) | Marin Marais, Lucie Horsch, Thomas Dunford | E♭ Minor | 1 | 2A | 84 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
L'hiver | Antonio Vivaldi, Laurence Equilbey, Accentus | C Major | 1 | 8B | 137 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, Andreas Scholl | B♭ Minor | 0 | 3A | 92 BPM | ||
Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Simone Kermes, Enrico Casazza | G Minor | 2 | 6A | 87 BPM |
Section: 0.5944602489471436
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