William Lawes, Les Voix Humaines's 'The Royall Consort Sett No. 6 in D Major: I. Fantazy' came out on March 6, 2012. The duration of The Royall Consort Sett No. 6 in D Major: I. Fantazy is about 3 minutes long, at 3:04. Based on our data, "The Royall Consort Sett No. 6 in D Major: I. Fantazy" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in William Lawes, Les Voix Humaines's "Lawes: Royall Consorts" album is number 8 out of 37. Based on our statistics, The Royall Consort Sett No. 6 in D Major: I. Fantazy's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Royall Consort Sett No. 6 in D Major: I. Fantazy by William Lawes, Les Voix Humaines to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3 in G major for recorder & b.c. – Allemande. La Cascade de St Cloud | Jacques Hotteterre, László Rózsa, Jonathan Rees, Alex McCartney | B♭ Major | 2 | 6B | 112 BPM | ||
Sonate für 2 Violinen, Viola da gamba und Basso contui | Andreas Oswald, Capella Jenensis | E♭ Minor | 0 | 2A | 89 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Suite in D Minor: III. L'adieu | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hayat Chaoui, Hanna Kopra, Immo Schroder, Michiel Meijer | D Minor | 1 | 7A | 121 BPM | ||
Lute Sonata No. 9: II. Alemanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 1 | 12A | 92 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM |
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