"Violin Concerto No. 2 in D Minor, Op. 22: II. Romance (Arr. For theremin and piano)" by Henryk Wieniawski, Clara Rockmore, Nadia Reisenberg was released on January 1, 1987. With this song being about 5 minutes long, at 4:48, "Violin Concerto No. 2 in D Minor, Op. 22: II. Romance (Arr. For theremin and piano)" by Henryk Wieniawski, Clara Rockmore, Nadia Reisenberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Rachmaninov, S.: Vocalise / Saint-Saens, C.: Le Cygne / Falla, M.: El Amor Brujo / Achron, J.: Hebrew Melody (The Art of the Theremin)". In this album, this song's track order is #6. Violin Concerto No. 2 in D Minor, Op. 22: II. Romance (Arr. For theremin and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 2 in D Minor, Op. 22: II. Romance (Arr. For theremin and piano) by Henryk Wieniawski, Clara Rockmore, Nadia Reisenberg having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Lecole Moderne Op 10 No 5 Alla saltarella Scherzando Piano | Henryk Wieniawski, Classic Hertz | E♭ Major | 5 | 5B | 110 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
String Quartet No. 4 in C Minor, Op. 18 No. 4: 1. Allegro ma non tanto | Ludwig van Beethoven, Emerson String Quartet | C Minor | 1 | 5A | 153 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D Major | 1 | 10B | 107 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM |
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