"Swedish Rhapsodie No.1, Op.19 - "Midsommarvaka"" by Hugo Alfvén, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1996. Swedish Rhapsodie No.1, Op.19 - "Midsommarvaka" appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Rhapsodies". In this album, this song's track order is #3. In terms of popularity, Swedish Rhapsodie No.1, Op.19 - "Midsommarvaka" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swedish Rhapsodie No.1, Op.19 - "Midsommarvaka" by Hugo Alfvén, Orchestre Symphonique de Montréal, Charles Dutoit having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: You shall hear how Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | G Major | 2 | 9B | 89 BPM | ||
Now Is The Month Of Maying | Thomas Morley, Grex Vocalis, Carl Høgset | A Minor | 3 | 8A | 97 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
A fikk jeg kun vaere den minste kvist (arr. F. Valen) | Fartein Valen, Nils Lindhjem, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | G Minor | 1 | 6A | 73 BPM | ||
Coronation Te Deum | William Walton, Martin Neary, The Choir Of Westminster Abbey, London Brass, English Chamber Orchestra, Martin Baker | A Major | 1 | 11B | 81 BPM | ||
Trumpet Tune in C Major, ZT 678 | Henry Purcell, Tine Thing Helseth, Kåre Nordstoga | D Major | 2 | 10B | 116 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Bergakungen (The Mountain King), Op. 37: Act III Scene 1: Trollens forsta dans (The first dance of the trolls) | Hugo Alfvén, Swedish Radio Symphony Orchestra, Yevgeny Svetlanov | E Minor | 0 | 9A | 82 BPM |
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