"Cello Concerto in E Minor, Op. 85: III. Adagio" by Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle was released on January 10, 2020. With this song being about 5 minutes long, at 4:53, "Cello Concerto in E Minor, Op. 85: III. Adagio" by Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 13 in Elgar by Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Concerto in E Minor, Op. 85: III. Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto in E Minor, Op. 85: III. Adagio by Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Andantino | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | A♭ Major | 0 | 4B | 117 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Giselle: No. 7a - Moderato; Allegro moderato; Viva | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E Major | 0 | 12B | 119 BPM | ||
With Rue My Heart Is Laden, Op. 2 No. 2 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B Minor | 0 | 10A | 66 BPM | ||
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | ||
Sylvia: Act III: Divertissement: Pizzicati | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 127 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | E Minor | 1 | 9A | 81 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM |
Section: 0.5836477279663086
End: 0.586862325668335