Eric Schmidt, Jonathan Rosenberg made "Kapitel 54.2 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #72 out of 137 tracks. Based on our statistics, Kapitel 54.2 - Wie Google tickt - How Google Works's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 54.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kapitel 54.2 - Wie Google tickt - How Google Works being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 2 | 6A | 84 BPM | ||
Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 3 | 10A | 84 BPM | ||
Grande Messe des Morts: XVI. Sequentia: Judicandus - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | B♭ Major | 1 | 6B | 113 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
Trumpet Concerto in D Major: Vivace | George Frideric Handel, Miroslav Kejmar, Capella Istropolitana, Richard Edlinger | D Minor | 2 | 7A | 99 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Die Nacht, Op. 17, No. 4, D. 983c | Franz Schubert, Orphei Drängar, Robert Sund | A Major | 0 | 11B | 82 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Seven Last Words - Third Word - Theodore Dubois | Theodore Dubois, Exultate | A Minor | 0 | 8A | 91 BPM |
Section: 1.3213114738464355
End: 1.3251903057098389