André Campra, Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy's 'Campra: Miserere: VI. Redde mihi laetitiam (Haute-contre)' came out on 1993. The duration of Campra: Miserere: VI. Redde mihi laetitiam (Haute-contre) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Campra: Miserere: VI. Redde mihi laetitiam (Haute-contre)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 17 in Campra - Requiem & Miserere by André Campra, Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire, Jean-Claude Malgoire. In terms of popularity, Campra: Miserere: VI. Redde mihi laetitiam (Haute-contre) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: Miserere: VI. Redde mihi laetitiam (Haute-contre) by André Campra, Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Sonata No.6 in D Major, Op. 50: II. Allegro | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Laudate pueri, HWV 237: VI. Suscitans a terra | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
L'Europe Galante, Prologue: L'Europe Galante, Prologue: Frappez, frappez, ne vous lassez jamais (Vénus) | André Campra, Les Nouveaux Caractères, Sébastien d'Hérin, Caroline Mutel | F Major | 2 | 7B | 104 BPM | ||
O Bone Jesu | ensemble tresonare | D Minor | 1 | 7A | 106 BPM | ||
Messe de Requiem / Introite: Ia. Requiem aeternam | André Campra, ensemble3 vocal et instrumental, Hans Michael Beuerle | E Minor | 2 | 9A | 104 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Médée, H. 491, Act I: Air. "Que me peut demander la gloire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois | G Minor | 3 | 6A | 64 BPM |
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