Teresa Berganza made "Elitropio d'amor" available on February 4, 2013. The duration of Elitropio d'amor is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Elitropio d'amor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Teresa Berganza con Felix Lavilla al Piano. 8 Canciones Españolas y 7 Canciones Italianas". In this album, this song's track order is #15. Based on our statistics, Elitropio d'amor's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Elitropio d'amor by Teresa Berganza having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bohemios: Escena y coro de bohemios: Victor, Juana, Cecilia y coro general | Amadeo Vives, Guillermo Perrin, Miguel de Palacios, Carlos Munguia, Teresa Berganza, Ana Maria Fernandez, Ataúlfo Argenta, Gran Orquesta Sinfonica | E♭ Major | 5 | 5B | 120 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Mirella Freni, Teresa Berganza, Solisti dell'orchestra "Scarlatti" Napoli, Ettore Gracis | A Minor | 2 | 8A | 127 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
Ombre légère | Giacomo Meyerbeer, Anna Moffo, Tullio Serafin | D♭ Major | 1 | 3B | 112 BPM | ||
La Rosa del Azafrán: "Sagrario" | Coros Cantores De Madrid, Teresa Berganza | D♭ Major | 3 | 3B | 68 BPM | ||
La Calesera: "¡Atrás! ¡Atrás! ¡Nadie ha de osar esas manos de azahares tocar" - Remastered | Emilio Gonzalez Del Castillo, Martínez Román, Francisco Alonso, Manuel Ausensi, Pilar Lorengar, Teresa Berganza, Indalecio Cisneros, Gran Orquesta Sinfonica | D♭ Major | 3 | 3B | 168 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
La maja dolorosa I | Teresa Berganza, Juan Antonio Alvares Parejo | D Minor | 0 | 7A | 147 BPM |
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