Vienna State Opera Orchestra, Anton Paulik made "Ballsirenen (Merry Widow) Waltz" available on October 1, 2011. Ballsirenen (Merry Widow) Waltz is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. There are a total of 10 in the song's album "The Merry Widow Waltz And Other Music Of Franz Lehár And Strauss (Remastered Stereo)". In this album, this song's track order is #1. Ballsirenen (Merry Widow) Waltz is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ballsirenen (Merry Widow) Waltz by Vienna State Opera Orchestra, Anton Paulik having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" | Felix Mendelssohn, Lillian Watson/Delia Wallis/Finchley Children's Music Group/London Symphony Orchestra/André Previn, Delia Wallis, Finchley Children's Music Group, Lillian Watson, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 88 BPM | ||
Symphony in C Major: IV. Allegro Vivace | Georges Bizet, New Zealand Symphony Orchestra, Donald Johanos | D Major | 1 | 10B | 134 BPM | ||
Tristan und Isolde, WWV 90, Act II Scene 2: So stürben wie, um ungetrennt | Richard Wagner, Peter Seiffert, Nina Stemme, Janina Baechle, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
Tristan und Isolde, WWV 90, Act I: Prelude | Richard Wagner, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
Horn Concerto No. 3 in E-flat Major, K. 447: i. Allegro maestoso | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | E♭ Major | 1 | 5B | 117 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Sinfonía Fantástica, Op. 14: No. 2, Un bal (Un baile) | Orquesta Sinfónica De Munich, Wilhen Hertz | A Major | 3 | 11B | 94 BPM | ||
Don Carlos, Act I: Act I Scene 2: Che mai si fa nel suol francese (Eboli, Rodrigo, Elizabeth) | Giuseppe Verdi, Piero Cappuccilli, Mirella Freni, Agnes Baltsa, Vienna State Opera Orchestra, Herbert von Karajan | D Major | 1 | 10B | 78 BPM |
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