- BPM
- 71
- Key
- E♭ Major
- Camelot
- 5B
Alpensymphonie, Op.64: Auf der Alm - Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli Information
- Acousticness
- 96%
- Danceability
- 9%
- Energy
- 9%
- Instrumentalness
- 95%
- Liveness
- 87%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 16%
- Popularity
- 5%
- Loudness
- -26.811 dB
Summary
"Alpensymphonie, Op.64: Auf der Alm" by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli was released on June 8, 2021. The duration of Alpensymphonie, Op.64: Auf der Alm is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Alpensymphonie, Op.64: Auf der Alm's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Richard Strauss - Great Recordings". In this album, this song's track order is #9. Alpensymphonie, Op.64: Auf der Alm is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Alpensymphonie, Op.64: Auf der Alm BPM
With Alpensymphonie, Op.64: Auf der Alm by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Alpensymphonie, Op.64: Auf der Alm Key
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | |
 | Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | |
 | Walt Whitman, Op. 7 | Gustav Holst, Ulster Orchestra, Joann Falletta | A Major | 1 | 11B | 126 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | |
 | Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | |
 | Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | |
 | Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | |
 | Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1977815628051758
End: 1.2027270793914795