- BPM
- 68
- Key
- F Major
- Camelot
- 7B
Missa pro defunctis: Introitus - Johann Caspar Kerll, Vox Luminis, L'Achéron Information
- Acousticness
- 89%
- Danceability
- 14%
- Energy
- 6%
- Instrumentalness
- 68%
- Liveness
- 11%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 4%
- Loudness
- -24.218 dB
Summary
"Missa pro defunctis: Introitus" by Johann Caspar Kerll, Vox Luminis, L'Achéron was released on August 19, 2016. With this song being about 5 minutes long, at 5:26, "Missa pro defunctis: Introitus" by Johann Caspar Kerll, Vox Luminis, L'Achéron is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Vox Luminis, Lionel Meunier, L'Achéron, Scorpio Collectif's "Kerll & Fux: Requiems" album is number 1 out of 14. Missa pro defunctis: Introitus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa pro defunctis: Introitus BPM
We consider the tempo marking of Missa pro defunctis: Introitus by Johann Caspar Kerll, Vox Luminis, L'Achéron to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Missa pro defunctis: Introitus Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sir John Souch His Galiard | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 90 BPM | |
 | Vespro della Beata Vergine, SV 206: XIIIb. Magnificat "Et exultavit spiritus meus" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Reinoud Van Mechelen, Samuel Boden, Collegium Vocale Gent | B Minor | 1 | 10A | 167 BPM | |
 | The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | |
 | Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | |
 | Missa Noe Noe: II. Gloria | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D Minor | 1 | 7A | 124 BPM | |
 | Kyrie eleison, Christe eleison, SWV 458 | Heinrich Schütz, Ulrike Hofbauer, Georg Poplutz, Karina Müller, Margret Baumgartl, Sarah Perl, Andreas Arend, Clemens Schlemmer, Beate Röllecke, Ludger Rémy, Michael Metzler, Dresdner Kammerchor, Hans-Christoph Rademann | F♯ Major | 0 | 2B | 82 BPM | |
 | Lachrimae or Seven Tears: XVI. Mr Henry Noell his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Ode for St. Cecilia's Day, HWV 76: Air: The soft complaining flute | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | |
 | Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | |
 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 116 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5976884365081787
End: 0.6012165546417236