Johann Sebastian Bach, Murray Perahia's 'French Suite No. 2 in C Minor, BWV 813: VII. Gigue' came out on June 17, 2022. The duration of French Suite No. 2 in C Minor, BWV 813: VII. Gigue is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. French Suite No. 2 in C Minor, BWV 813: VII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 193 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. French Suite No. 2 in C Minor, BWV 813: VII. Gigue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of French Suite No. 2 in C Minor, BWV 813: VII. Gigue by Johann Sebastian Bach, Murray Perahia is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
Bach, JS: Concerto for 2 Pianos in C Minor, BWV 1060: I. Allegro | Johann Sebastian Bach, David Fray, Orchestre National Du Capitole De Toulouse | C Minor | 3 | 5A | 94 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: II. Allegro ma non presto | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock | F♯ Major | 1 | 2B | 141 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Christian Tetzlaff | D♭ Minor | 0 | 12A | 135 BPM |
Section: 0.7134566307067871
End: 0.7198097705841064