"Gluck: Orfeo ed Euridice, Wq 41, Act 1: "La legge accetto, o Dei" (Orfeo)" by Philippe Jaroussky was released on October 29, 2012. With this song being about 5 minutes long, at 5:09, "Gluck: Orfeo ed Euridice, Wq 41, Act 1: "La legge accetto, o Dei" (Orfeo)" by Philippe Jaroussky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "The Voice". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Gluck: Orfeo ed Euridice, Wq 41, Act 1: "La legge accetto, o Dei" (Orfeo)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gluck: Orfeo ed Euridice, Wq 41, Act 1: "La legge accetto, o Dei" (Orfeo) by Philippe Jaroussky having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte du Tendre (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Jordi Savall | A♭ Minor | 1 | 1A | 55 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita è questa mai" (Orfeo, Euridice) | Christoph Willibald Gluck, Philippe Jaroussky, Amanda Forsythe, Diego Fasolis, I Barocchisti | G Major | 0 | 9B | 91 BPM | ||
Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 71 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Chaminade: Mignonne | Cécile Chaminade, Philippe Jaroussky | E Major | 0 | 12B | 139 BPM | ||
Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" | Simone Kermes | F Minor | 1 | 4A | 72 BPM | ||
Concert À Deux Violes Esgales "Le Retour" (Sainte-Colombe) | Jordi Savall | D♭ Major | 0 | 3B | 86 BPM |
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