John Smith's 'Forever To The End' had a release date set for March 24, 2013. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Smith's "Great Lakes" album is number 10 out of 11. Based on our statistics, Forever To The End's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Forever To The End by John Smith to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hey Love | Chris O'Brien | D Major | 3 | 10B | 79 BPM | ||
Till the Sun Turns Black | Ray LaMontagne | G Major | 2 | 9B | 113 BPM | ||
Willy Moore | John Smith | G Major | 3 | 9B | 104 BPM | ||
Little More Time | Ciaran Lavery | B♭ Major | 5 | 6B | 73 BPM | ||
Wreckage And Bone | Tired Pony | E♭ Major | 4 | 5B | 102 BPM | ||
The Cusp & the Wane | Ed Harcourt | D♭ Major | 1 | 3B | 119 BPM | ||
Restless Heart | The Sea The Sea | F Major | 2 | 7B | 103 BPM | ||
On The Road Again | The Brother Brothers | E♭ Major | 5 | 5B | 104 BPM | ||
Pinball Machine (Schuba's, Chicago) | Bell X1 | E Minor | 3 | 9A | 124 BPM | ||
Raising Cain | Gregory Alan Isakov | D Major | 4 | 10B | 98 BPM | ||
Mr Blue Tie | The Slow Show | A♭ Minor | 3 | 1A | 124 BPM | ||
Come What May | Jarrod Dickenson | D Major | 3 | 10B | 164 BPM | ||
Front Porch | Joy Williams | D♭ Major | 2 | 3B | 124 BPM | ||
Shaker Hymns - Acoustic | Dry the River | B♭ Major | 2 | 6B | 99 BPM | ||
Time to Find Out | Chris and Thomas | E Minor | 3 | 9A | 104 BPM | ||
Desire | John Smith | F Major | 1 | 7B | 150 BPM | ||
Writing On The Wall - Spotify Sessions / Curated By Jim Eno | Bear's Den | E Major | 6 | 12B | 132 BPM | ||
New York Times | Simone Felice | D Major | 5 | 10B | 124 BPM | ||
Can I Stay | Ray LaMontagne | G Major | 1 | 9B | 113 BPM | ||
Freezing Winds Of Change | John Smith | F Major | 4 | 7B | 95 BPM | ||
Sweet Suburban Sky | Paddy Casey | B♭ Major | 0 | 6B | 78 BPM | ||
Sanctuary | John Smith | E♭ Major | 2 | 5B | 82 BPM | ||
The Way We Look at Horses | Trent Dabbs | D Minor | 5 | 7A | 126 BPM | ||
For a Nightingale | Fionn Regan | E Major | 3 | 12B | 108 BPM | ||
Painkiller | Paper Aeroplanes | A Major | 2 | 11B | 128 BPM |