Stephen Kovacevich's 'SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3' came out on March 3, 2003. With SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3 being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Piano Sonata/12 German Dances". In this album, this song's track order is #16. Based on our statistics, SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3 by Stephen Kovacevich having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Lieder ohne Worte, Op.30: No. 4. Agitato e con fuoco In B Minor, MWV U 98 | Felix Mendelssohn, Daniel Barenboim | G Major | 2 | 9B | 115 BPM | ||
Gondellied (Barcarolle) in A major (1837): Allegretto non troppo, MWV U 136 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 72 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
Satie: 6 Pièces froides, Pt. 2: Danses de travers, II. Passer | Erik Satie, Anne Queffélec | B♭ Major | 0 | 6B | 126 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Yevgeny Sudbin, North Carolina Symphony Orchestra, Grant Llewellyn | A♭ Major | 1 | 4B | 71 BPM | ||
Le Carnaval des Animaux, R.125: 11. Pianistes | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 1 | 8B | 87 BPM | ||
Piano Sonata in D, H.XVI No.37: 3. Finale (Presto, ma non troppo) | Joseph Haydn, Alfred Brendel | B♭ Minor | 1 | 3A | 67 BPM | ||
Mozart: Horn Concerto No. 3 in E-Flat Major, K. 447: III. Allegro | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | E Major | 1 | 12B | 72 BPM | ||
Piano Sonata, Op. 47: II. Scherzo | Wilhelm Kempff, Idil Biret | E♭ Major | 0 | 5B | 61 BPM |
Section: 0.8296716213226318
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