Stephen Kovacevich's 'SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3' came out on March 3, 2003. With SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3 being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Piano Sonata/12 German Dances". In this album, this song's track order is #16. Based on our statistics, SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SCHUBERT: 12 DEUTSCHE TAENZE (LAENDLER) D790: NO. 3 by Stephen Kovacevich having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Impromtu, Op. 90, D. 899, No. 3 in G-Flat | Arthur Rubinstein | F♯ Major | 0 | 2B | 90 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Ludwig van Beethoven, Stephen Kovacevich | F Minor | 2 | 4A | 76 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Prélude In G-Sharp Minor, Op.32, No.12 - Live | Sergei Rachmaninoff, Vladimir Horowitz | E Major | 0 | 12B | 68 BPM | ||
Valse En La Bemol Maj Op69 N1 | Samson François | A♭ Major | 0 | 4B | 141 BPM | ||
4 Impromptus Op. 142, D.935: No. 2 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 70 BPM |
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