"Piano Concerto No. 3 in D Minor, Op. 30: 3. Finale (Alla breve) - Live" by Sergei Rachmaninoff, Martha Argerich, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly was released on January 1, 2001. Piano Concerto No. 3 in D Minor, Op. 30: 3. Finale (Alla breve) - Live appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rachmaninov: Piano Concerto No.3; Suite No.2 for 2 Pianos". In this album, this song's track order is #3. In terms of popularity, Piano Concerto No. 3 in D Minor, Op. 30: 3. Finale (Alla breve) - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in D Minor, Op. 30: 3. Finale (Alla breve) - Live by Sergei Rachmaninoff, Martha Argerich, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Keyboard Trio in G Major, Hob. XV:25 "Gypsy": III. Finale. Rondo all'ongarese (Live) | Joseph Haydn, Renaud Capuçon, Gautier Capuçon, Martha Argerich | F♯ Major | 6 | 2B | 137 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Images I, L. 110: 3. Mouvement | Claude Debussy, Seong-Jin Cho | F Major | 1 | 7B | 118 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Ravel: Piano Concerto in G Major, M. 83: I. Allegramente (Live) | Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana | D Major | 2 | 10B | 137 BPM | ||
Rhapsody in G Minor, Op. 79, No. 2 | Johannes Brahms, Martha Argerich | E♭ Major | 0 | 5B | 71 BPM |
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