"Avant de quitter (Faust)" by Robert Merrill, RCA Victor Orchestra was released on August 16, 2006. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Robert Merrill's "Lebendige Vergangenheit - Robert Merrill" album is number 4 out of 20. Avant de quitter (Faust) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Avant de quitter (Faust) by Robert Merrill, RCA Victor Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Leo Nucci, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 97 BPM | ||
La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo) | Charles Gounod, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | D Major | 2 | 10B | 99 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Lakmé / Flower Duet: Viens, Mallika, les lianes en fleurs | Léo Delibes, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Eri tu che macchiavi (Un Ballo in Maschera) | Robert Merrill, Boston Pops Orchestra | F Major | 4 | 7B | 83 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Ach, ich darf nicht hin zu dir! (Adele, Rosalinde, Alfred) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
Les Pêcheurs de perles: C'est toi! toi qu'enfin je revois! (Zurga, Nadir) | Georges Bizet, Ernest Blanc/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | E Major | 1 | 12B | 165 BPM | ||
Madama Butterfly / Act I: ... E soffitto e pareti | Giacomo Puccini, José Carreras, Anthony Laciura, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 1 | 1B | 135 BPM |
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